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Hackoustic Presents: 6th October 2017

An evening of performances, talks, demonstrations, installations and mingling with some of London's top sound artists, builders, hackers and educators. We are very excited to have Kuljit Bhamra, one of the most inspiring and influential musicians, composers and record producers on the British Asian music scene. He'll be demonstrating his very exciting 'Evolution of the Tabla Drum'. We'll also have Dom Aversano playing hacked tunes on his amazing hang-drum and Jacob Harrison, currently studying for a PhD in accessible instrument design, showing his one-handed bass guitar.

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Sun 28th Sept. 2014 

This week we didn’t have a speaker so it was a great opportunity to get some hacking done. We started by working on an automated Glockenspiel that Lucia had begun to make.Using solenoids, a relay board and an Arduino, we managed to get some sounds out of the kids Glockenspiel we had. A pretty good start and remarkably easy considering it was our first attempt. The video below shows the solenoid doing its job. There’s obviously plenty still to do to get a working instrument, but it’s good to have the proof of concept.

Lucia's Glock

Having done all we could with that, we moved onto the circular saw instrument. Tony had finalised the design for his preamp so he built it and we tried it out. The result was amazing, especially through headphones, and we all felt like we’d finally captured the thing we’d been looking for. It was a very exciting moment, and we now just need to sort out a few technical issues with the frame before we can really start experimenting with the objects and sounds.

Circular Saw + Solenoid

Looking forward to next time now where we’ll hopefully get the design completely finalised.

P.S. We’re super excited to be participating in the Elephant & Castle Mini Maker Faire 2014, taking place on Saturday 15th November at London College of Communication. It’s still sometime, so we’ll have some of these projects finished by then :). Please visit this link for details and tickets [ link ].

Maker Faire

Till then, Join us on the regular meetup times, so next one is on Sunday 26th October 2014 7pm at the London Hackspace. Agenda will be uploaded soon!

Any queries, please email acoustichacking@gmail.com

Tony Hardie-Bick: Sun 25th May 2014

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Last meeting on Sun 25th marks one of our most successful meetings yet. It was overwhelming to witness such great attendance, with such a variety of people from different practices, ranging from visual artists and musicians to engineers and product designers. Below is an excerpt of the discussions that took place.

piezo impedance

Piezos are an essential tool to pick up surface vibrations, and here at Acoustic Hacking, we love them for their abundant availability, simplicity and versatility in a wide array of applications. As you can see, this simple circuit [drawn by Tony, a guest practitioner], may be needed to remove the ‘tinny’ sound, an issue commonly associated with piezo discs. The piezo-electric material has very high impedance, and this circuit is designed to match the impedance to mic level input on your mixer or audio interface.

Another tip is to use a shielded cable, to further prevent hum or electromagnetic interference being picked up along the cable.

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Other discussions included how to design a ball for the blind. Some example of such a device/ball are photographed above, sitting on the table. The idea is to design a highly resonant structure embedded at the core of the foam ball. This structure can either be activated by movement of the ball, or possibly the vortexes of air can be harvested through the crevices of the ball to vibrate this ‘strucutre’; much like a whistle — example of whistle footballs commercially available.

watkins_copicat_modified

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Hacked Watkins Copicat Tape Echo by Tony Hardie-Bick

Quoting Tony from an email:

The machine is a Watkins Copicat Tape Echo, made in the 1970s and 80s, there were a number of slightly different designs, some with valves, some with variable tape speed, some using op-amps etc. My modification was to put the four playback heads at non-equal time differences along the tape, and to put two of them on a separate channel, to get an uneven stereo echo, which builds to create complex distorting stereo textures.

The thing that’s perhaps interesting, electro-acoustically, is the piezo mic on the tape arm, which picks up the sound of wheel-scratching and actual physical tape hiss, which can then be mixed in with the main signal, or just use on its own so the thing becomes an instrument in its own right.

The piezo idea was prompted by a performance in Vienna in 2011 by Martin Blazicek and Andras Blazsek. The performance can be viewed here.

Also I wanted to share this link as part of the discussion. This is Michael Vorveld, from Berlin, who I also saw in Vienna. He uses light bulbs in series with bimetallic strips to generate performances like this.

I think the sound also comes from piezos, picking up the vibrations from the bimetallic strips as they switch on and off.

The concept of using bimetallic strips is very interesting and unexplored, possibility to look into this in future workshops!

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Again, huge thanks for the people who attended and contributed to the workshop this time. Please stay tuned here for an updated agenda for next meeting, and possibly another guest practitioner. The meetings are held last Sunday of the month, so ext meeting is going to be on:

June 29th 2014 at 7pm

It is a possibility workshops might be arranged in between those meetings, those will involve more making! this will also depend on people’s desires.

Any enquiries, please email acoustichacking@gmail.com